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Across to Singapore
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MGM silent. 78 minutes.
US release: 4/30/28.
Cast: Ramon Novarro, Joan Crawford (as "Priscilla Crowninshield"), Ernest Torrence, Frank Currier, Dan Wolheim, Duke Martin, Edward Connelly, James Mason, Anna May Wong.
Credits: Based on the 1919 novel All the Brothers Were Valiant by Ben Ames Williams. Continuity: E. Richard Schayer. Director: William Nigh. Camera: John Seitz. Editor: Ben Lewis.
Plot Summary: Across to Singapore was the second screen version of Ben Ames Williams' All the Brothers Were Valiant, first filmed in 1923, and later remade in 1953. The plot is motivated by the deadly rivalry between two seafaring brothers, virtuous deckhand Joel Shore (Ramon Novarro) and wicked Captain Mark Shore (Ernest Torrence). Forced into a marriage with Mark, Priscilla Crowninshield (Joan Crawford) tries to be loyal to her husband but falls in love with Joel instead. Things reach a fever pitch when mutinous first mate Finch (James Mason) strands Shore in Singapore and takes Joel and Priscilla prisoner. Mark catches up with his ship and kills the mutineers, but when he realizes that his wife is now deeply in love with his brother, he considerately sacrifices his own life in the climactic melee. Hal Erickson, All Movie Guide
Don't try to follow the intricacies of this plot--just keep in mind that the turmoil of villainy and the sea will not overcome either Ramon Novarro or Joan Crawford. Ernest Torrence, as a horny-fisted old salt, dismisses formality and announces his engagement to the girl without consulting her. Crafty Chinese complicate matters with mutiny, dope dens and attempted seduction. Recommended as a stimulant.
Film Daily (1928):
Ramon Novarro miscast as tough sea dog. Should have played him up on the Romeo stuff. Joan Crawford petite and always an alluring picture. Ernest Torrence dominates in strong characterization.
Mordaunt Hall in the New York Times (April 30, 1928):
Although "Across to Singapore," the present film offering at the Capitol Theatre, has some expertly composed scenes and genuinely clever acting, the story as a whole is frequently artificial and forced and therefore unconvincing. It is a yarn of a mariner's unrequited love and valiant efforts have been made to give it a sea-worthy quality. The title-writer diligently puts into the mouths of the male element his conception of the lingo of the sea, which smacks more often than not of musical comedy. The shallow attempts at fun are often quite feeble and hardly the sort of thing one hopes for in a serious dramatic subject.
It is an in-and-out tale, with good points mixed with poor ones in many of its episodes. Priscilla Crowninshield, the heroine, appears on the long voyage to the Far East looking as if she were ready at any moment for a tea party; but, at the same time, during these episodes there is an excellent conception of sailors fighting a storm at sea. Added to this, one of the brothers Shore, from Paradise Cove, Mass., shouts into the gale:
"There's a mad sea and a crazy gale challenging us Shores to fight."
When a man is washed overboard and Joel Shore, the youngest of the brothers, is about to leap to the rescue, Mark Shore, played by Ernest Torrence, bellows out:
"The sea's hungry, she'd rather have two than one."
On the other hand there is a scene in a barroom during which both Mr. Torrence and Ramon on Novarro are decidedly competent. But even here the idea of Joel (Mr. Novarro) flipping stones with unerring aim at Mark and a foreign sailor is rather silly. It is also quite stupid when Joel picks up an unconscious man and proceeds to pretend to fight and lay out his victim.
Joel is supposed to be lacking in nerve and strength required for the sea, but this youngster endeavors to prove to his older brothers that he is as good as they are. He is superior to them when it comes to winning the affection of the beautiful Priscilla. It is in Singapore that Mark goes to the bad and his ship has to sail without him. Eventually after the return to Paradise Cove, Priscilla decides to go to Singapore to prevail upon Mark to sober up and return home. The Nathan Ross, as the good ship is named, seems to be ready to go out to the Far East at an hour's notice.
William Nigh directed this picture from an adaptation of a story by Ben Ames Williams. He does not always give his characters credit for sufficient intelligence and in the announcing of a betrothal one would think that the man in the case would have mentioned something about it to the girl he hoped to marry. At the end of the church service at which this announcement is made, one perceives Joel standing in the aisle, but apparently he does not attract the attention of a soul.
Ernest Torrence is splendid as Mark. Mr. Novarro's performance is also quite good. Joan Crawford, who plays Priscilla, is best in those moments when she is natural and is not thinking about turning her eyes for effect.
If you've seen Across to Singapore and would like to share your review here, please e-mail me. Include, if you like, a picture of yourself to accompany your review, as well as a star-rating (with 5 stars the best) and any of your favorite lines from the film.
Stephanie Jones (August 2005)
Rating: of 5
Just three films away from making her big splash in the ultra-modern Our Dancing Daughters, also released in 1928, Joan here plays an 1800s lass caught in the middle of some weird psychological drama between two seafaring brothers. As "Priscilla Crowninshield," Joan gets to glow, grin, weep, and shoot a guy down from a top-mast, and she accomplishes every sometimes ludicrous task with a professional ease that shows she was up for anything the studio handed her.
Ramon Novarro, the brother Priscilla loves, is "Joel," the playful kid of the sea-dog family, looked down upon fondly by his older, brawling, tough-guy brothers. (Joan and Novarro look absolutely stunning together, two glowing, vital examples of beauty and onscreen charisma. Their opening scenes on the beach and at dinner in the brothers' home--when Novarro in particular gets to show off his looks and charm--are lighthearted and fun; the two seem natural and comfortable together.)
Plot complications arise when Joel's oldest brother Mark (the rough-hewn, towering Ernest Torrence) decides he loves Priscilla and their fathers promptly announce in church, without Joel or Priscilla's knowledge, that Mark and Priscilla will be wed after the brothers return from their upcoming voyage to Singapore. Joel and Priscilla's exchanged looks of dismay during the announcement are subtly expressive, as is their farewell scene aboard ship the next day, where Priscilla sensually nuzzles the now-reluctant Joel, who feels compelled to remain loyal to his brother.
So far so good in this first third of the film. After this, however, things seem to go a little awry. Brother Mark has noted Priscilla's shipboard reluctance to kiss him goodbye and he soon begins to brood over her (even hallucinating her ghostly presence in a ship doorway. Later, funnily, her face even pops up in the bottom of his glass!). Once the brothers dock in Singapore, Mark starts boozing it up in a brothel, to the shock of the innocent Joel: "You've got to remember Priscilla!" Joel chides, pulling a harlot from Mark's lap. Mark quite rightly orders Joel back to the ship, then stumbles into the night with his newfound Asian floozie, only to get jumped by a combination of local toughs and mutinous sailors from his own ship. He disappears and is assumed dead by all except Joel. His ship sails for home without him.
Did I say things seemed to go "a little awry" earlier? Well, at this point the plot ventures beyond "awry" into the "haywire" territory. In short: Once back home, Joel, who's suddenly evolved into a stubble-bearded tough guy himself, now kidnaps Priscilla and forces her to sail back to Singapore with him and the once-mutinous crew. Since she has driven his brother mad, only she can rescue him. Cut to a hilarious title: "Six months in Singapore has made Mark a drink-crazed, half-mad, gibbering derelict." Sure enough, there he is, drinking and gibbering, driving his now live-in Asian floozie mad with his incessant sea chanties. The derelict Mark somehow, though, manages to spot his ship in the harbor and is reunited with brother, Priscilla, et al.
The rest of the film is a blur of dumb brawling: Mark with Joel, Joel with mutinous sailor, Mark with mutinous sailor, good sailors vs. bad sailors. And...why, there's Priscilla in the middle of it all, shooting off a gun she found somewhere! Whew! (I won't try to spoil anything by revealing which brother conveniently gets harpooned in the back during all this brawling...)
In spite of the haphazard latter part of the film, Across to Singapore is partially redeemed by the first third, where Joan and Novarro get to be their charming, attractive selves. It's a pleasure just being able to watch the two of them, despite the ensuing bizarre plot convolutions.
(Side-note: Ben Ames Williams, who wrote the novel upon which this movie was based, also later wrote the novel Leave Her to Heaven, which was made into a psychologically disturbing--and excellent--film starring Gene Tierney in 1945.)
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