The Best of Everything
Joan's Stuff:
Joan Crawford Clothing, Furs, Accessories
Movie Costumes Personal Attire
Movie costumes are shown below in chronological order, with info re designer/owner/exhibits/auctions when available.
Dancing Lady (1933)
Site text: Joan Crawford Adrian-designed crème silk satin wedding gown from Dancing Lady (MGM, 1933). This full length crème satin gown was designed by Adrian and worn by the character "Janie Barlow" portrayed by actor Joan Crawford in the 1933 motion picture Dancing Lady starring Clark Gable. The gown is in excellent condition with the original labels; one handwritten "A-109" in the skirt, the other "V-5" near the collar. This is the first time Fred Astaire appears on screen portraying himself and dancing with Joan Crawford. |
I Live My Life (1935)
Wedding gown from the personal collection of "Mr. T," a San Diego collector.
The Gorgeous Hussy (1936)
Displayed at Australia's Museum of Brisbane 11/22/14 - 5/24/15 during their "Costumes from the Golden Age of Hollywood" exhibit.
The Bride Wore Red (1937)
Designed by Adrian.
Left: Displayed at London's Victoria and Albert Museum "Hollywood Costume" exhibit, 10/20/12 - 1/27/13. (Thanks to Norman for the photo.)
Right: From NYC's The Museum at FIT collection.
Mannequin (1938)
Designed by Adrian. From the Collection of Motion Picture Costume Design (Larry McQueen Collection).
The Women (1939)
Christie's site text: A dazzling full-length skirt designed by Adrian, the skirt of flesh-coloured cotton encrusted all over with rows of gold and silver sequins, with a deep boned corset waistband -- made for Joan Crawford as Crystal Allen in the 1939 M.G.M. film The Women; accompanied by a silver v-shaped waistband encrusted with vari-shaped rhinestones. This skirt was designed by Adrian to be worn with a brassiere top in a
harem-style gown. This was Adrian's first design to feature a bare
midriff since Mata Hari made 8 years earlier in 1931 and it was
designed with a specific scene in mind - in the film, Joan Crawford,
plays shop girl, Crystal Allen, who entraps and later marries the
husband of Socialite Mary Haines. She appears in this skirt with
brassiere during the scene in the Casino Roof nightclub, instantly
looking out of place amongst the other more somberly-dressed women.
Apparently, when Louis B. Mayer saw Crawford wearing the dress in the
rushes, he insisted the gown be changed, claiming it was in poor taste.
Adrian then designed a replacement gown similar in style to that worn by
Norma Shearer in the same scene, knowing Shearer would object and,
after much argument, Crawford remained in her gold sequins. |
Mildred Pierce (1945)
Waitress apron. Auctioned June 15, 2013, by Premiere Props of California, with a starting bid of $1000.
Waitress dress, housed at the University of Texas Humanities Research Center.
Polka-dot dress. Sold for $27,500 at Nate D. Sanders auction, 2/27/2014.
Polka-dot dress is worn by Crawford in the film's promotional posters, in a still captured from the scene in the beginning of the film when she goes on a date, set at the Malibu beach house of her scheming beau Monte Beragon. Rayon dress, originally white, has since been dyed to a flesh tone color, with polka dots in a darker nude shade. Design features a slightly A-line cut shirt, long sleeves, pleated bodice and square neckline flanked by a simple bow on either side. A Warner Bros. Pictures label is sewn into the placket and has a hand note, ''B - 2nd Dress / 18905-638''. Written inside the top in black felt tip is the note, ''TBS / 209''. Dress fastens up the back and at the waistline with alternating snaps and hook-and-eye closures, also found at the cuffs. Discreet side zipper is placed over the hip. Likely altered for use in a later Warner Brothers film, dress measures 17.75'' from underarm to underarm, with 21'' sleeve and a petite 11'' across the waist. Original self-belt is absent; dress is accompanied by later grosgrain belt in brown with a cream stripe through the center. Scattered pinholes and stray threads, else near fine.
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Restaurant opening-night outfit, from the personal collection of "Mr. T," a San Diego collector.
Two Mildred outfits by Milo Anderson. From the Collection of Motion Picture Costume Design (Larry McQueen Collection).
Humoresque (1946)
Designed by Adrian. From the Collection of Motion Picture Costume Design (Larry McQueen Collection).
Possessed (1947)
Designed by Adrian. From the Collection of Motion Picture Costume Design (Larry McQueen Collection).
Harriet Craig (1950) Sold
for $13,000 at the 9/6-9/8, 2011, Julien's
"Legends: Hollywood & Royalty" auction. Lot 908. Julien's site text: A pink and grey check-day dress composed of wool with three-quarter length sleeves and a fold-over collar with neck-tie. The fitted bodice with a high neckline is cut on the grain while the skirt is cut on the bias. The skirt is open and cut wide so there is volume similar to Dior’s New Look dresses. The tea-length hem-line, secretary bow tie, and pointed cuffs with contrasting fabric were popular design elements of the decade. The dress has a zip closure at the back with blind snaps at the left side of the collar to help put the garment on. A Columbia handwritten label reading “Joan Crawford." This dress is in good condition, there are several moth holes at the collar and the skirt. ... This dress is worn by Joan Crawford as Harriet Craig in the scene where she visits her mother in the nursing home at the beginning of the film.
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Torch Song (1953)
Designed by Helen Rose. Sold for $2880 at the June 23, 2018, Julien's "Hollywood Legends 2018" auction. Lot 495. Julien's site text: A costume worn by Joan Crawford while performing "Two-Faced Woman" in black face in Torch Song
(MGM, 1953). The costume comprises a teal sequin-covered leotard with
rhinestone and artificial crystal droplets embellishing the left cuff
and collar with a multi-layer tulle skirt with sequin embellishment. A
bias label in the leotard reads "1631 Joan Crawford." Costume design by
Helen Rose. Accompanied by a pair of studio sea foam rhinestone
embellished fishnet stockings with an MGM cleaning tag that may or may
not be original to the costume and three black and white studio images. Previously exhibited at The Sharon Landa Gallery in Hollywood, California, 1971. |
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Queen Bee (1955)
Designed by Jean Louis. Sold December 14, 2002, for $5377. MORE INFO TO COME.
The Best of Everything (1959)
Blouse designed by Adele Palmer. Auctioned 12/6/03 from Debbie Reynolds' collection and bringing in between $1,000 and $2,000. MORE INFO TO COME.
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Joan's silver fox stole. Label inside: "Furs Alixandre New York Paris." 6 ft 10 in long, 17 in wide. This is the stole worn by Joan during her 1959 photo shoot with Eve Arnold (photo at left). Offered for auction at Doyle New York on 12/7/11.
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Below: Items from the 2/16/78 Plaza Art Galleries auction. Last row: Up for auction again 11/13/19 at Landmark on the Park (NYC).
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Displayed at San Francisco's Metreon theater, April/May 2010, as part of "Hollywood Legends: The Barry Borsamian Collection." |
The Best of Everything